Finally Writing That Memoir

Like all used bookstore workers, I was issued a cat upon hiring. Just kidding. I do have one, though, and he likes to be petted extensively at five in the morning. We call this The Petting Hour. He sits on my chest, already purring, and I deliriously stroke him until he tires of me and goes to sit on Jeffrey. There are a million things to love about Jeffrey, and one of them is that although Jeffrey is extremely fond of his sleep and not easily roused, every morning when the cat comes and sits on him, he pets the cat. Never pushes the cat away and rolls over, which it would be no sin to do.

Anyway, the cat came back for round two a few minutes ago and I thought of the book, “Not Quite What I Was Planning: Six-Word Memoirs From Writers Famous and Obscure.” Compiled by SMITH magazine and chock full of goodness. (You can enjoy reader submissions at www.smithmag.net). Some faves: “I’m bipolar and think it’s funny,” “I was young, needed the money,” “i don’t ever feel like working,” “I’m doing this for my resume,” “Pushed Tinker Belle off Disney’s Matterhorn.” “Googling myself gets me zero hits,” and, “someone has to do the paperwork.” Anyway, per this morning mine would be, “Not bad! Petted lots of cats.”

xo

e

Book Store Ramble, With Coded Message!

Shit, I can’t sleep.

I do remember dreaming that my sister had written three books, the last of which was a diary with calligraphed pages and on several pages were just the words, “As it was.” I once had an elaborate argument with an ex-boyfriend over whether or not it was possible to read in dreams. It was, and is. Clearly, I win the argument because years later, I still care enough to publish my opinion on a blog.

The store was batshit today (Saturday.) All the weirdos come out of the woodwork to hang out at the used book store on a Saturday afternoon. Or maybe it’s just that when you get a high enough density of lovable eccentrics, they start looking like a mob of weirdos. You know, the guy that asks you where you keep the nonfiction about werewolves. I love that guy. I think, “Should I tell him?…” And a lady asked me why the Bibles weren’t organized Alpha by Author. And then there are people who just want the maximum amount of human contact possible. This sounds charming, but these people are insatiable. A woman today said she wanted a book about Pigeons. I, thinking I am a very clever girl, remember that on some random display we have a book, on sale, called “Pigeons,” that has a giant pigeon on the front and is all about pigeons. I bounce off and return with the book. She flips through it and says, “It hasn’t got any pictures.” Well, no…. “It’s for my son,” she says. She is about a million years old but I say, “Is he a child?” thinking she wants a picture book (and I know just the one to recommend: “Don’t Let the Pigeon Stay Up Late.” Charming.) But she says, no, her son keeps pigeons and he wants to know what kind of pigeons they are. So, ah! You want a field guide! I take her to the field guides and pick up “Birds of North America,” published by the not-wholly-disreputable National Geographic operation. I consult the index and take her to a page chock full of illustrations of the many pigeon and rock dove varieties of North America. “No….” she says right away. “That’s not it.” Now I realize what she really wants. She doesn’t want a book. She wants me to find out, sight unseen, what kind of bird her adult son is raising. I want to sell her this National Geographic field guide, not because I’m preoccupied with the books store’s bottom line but because I want her to go home with it and flip through every page at her leisure, maybe with a nice glass of wine, and figure out her own self what kind of bird her son is raising. What I don’t want to do is flip stand here in the aisle and flip through every page with her.

But that is exactly what we do. I just start going down the index, skipping all around in the book. “Nope, no, that’s not it,” she says THE INSTANT I get a page open, before she’s had a second to even study each of the carefully illustrated pictures. “No, nope…. no….. no, those aren’t it…. those are ducks….” I say, “Are you sure it’s a pigeon?” She says, “Oh yeah, it’s a pigeon.” I say, “How do you know?” She says, “It looks like a pigeon.” I open the book back to the page full of pigeons. “But it doesn’t look like any of these pigeons.” “No, nope…” she says.

At this point, there is no easy way to let her know, “I’ve given up on you. I am not solving your pigeon problem today.” I close the book and put it back on the shelf. “I’m sorry,” I say. “I don’t know what else to tell you.”

She stands there, quietly. It’s awkward. I spot some software about birds and grab it. “You could try this? Do you have a computer?”

“I just worry that it wouldn’t be on there,” she says. She really does sound worried. I put down the software. “Is that because your son is in your head? And the pigeons are imaginary?” I don’t say this. I do apologize again. She sighs. It’s not loud enough to count as one of those obnoxious, manipulative sighs that you don’t have to feel bad about because they’re so obviously intended to make you feel bad. It’s an actual sad little sigh. People come to bookstores believing that with so many books in one place, somewhere, in one of them, is an answer to every niggling question or profound life problem they have. It’s a temple of answers, and we, the bookstore people, are the priests and priestesses, making the whole place comprehensible and navigable and accessible. We connect them with their answers. (They really treat you like miracle workers when you can manifest the exact title, especially when you can pluck it from a section they’ve been frowning at fruitlessly for ten minutes.) And when we give up on them, when we assure them we don’t have what they need, they really are a very particular kind of sad.

But most of the time it’s very satisfying to be the steward of the books. My weird little head has a memory for words (not directions, not colors, just melodies and words) so I have a constantly updated mental catalog of all the sections I groom regularly, which includes magazines, education, writing, classics, poetry, humor, memoirs and drama. When you’re at the front of the store and you can tell someone, without looking, that we have two copies of “The Glass Castle” but no copies of Architectural Digest, they look at you like you’re fucking with them. Usually you need to walk them over and let them paw around so they know you’re not just blowing them off.

Yeah, okay, I like my bookstore job. Although in my bookstore, all chick lit would go in its own section. It would not be shelved with literature. I am so fucking sick of cramming in between Hemingway and Hesse another copy of “Bringing Home the Birkin”. Ladies, you are embarrassing yourselves. I’ve been thinking a lot about chick lit and about Chuck P and all the other alienated Gen-X/Y men who are suffering involuntary sensitivity and education and thus turn to the worst and most unoriginal excesses of their assigned gender (fight club-violence; choke-sex.) It’s basically dude lit. I mean, the spectrum would have Nick Hornby on one side and Chuck P on the other. Men who long to be stupider and more emotionally castrated than they are, men who suffer from contemplation and an attraction to strong women. And chick lit is about the worst excesses of its gender too; utter self-absorption and willful insignificance. I think if you were going to study the trickle-down effects of feminism on this generation, you should look at what people read. Incidentally, in young adult fiction, the Gossip Girls books are huge.

God, I’ve really got to write fewer words but more often. I know I’m frustrating my audience of three. (Hi you guys!) Here’s a coded message for one of my audience of three: I watched Batman Begins the other night and it had Cillian Murphy and I already missed you but he, who wishes he looked even more like you, made me miss you more. I just wish I knew how you were, what’s going on in your life. I think about you all the time.

Okay, not really coded.

Did I tell you about reading “Farewell, My Subaru?” It was rad. Cheesy, but rad. Now I’m reading “The Time Traveler’s Wife” which is what a friend suggested when I said I wondered what a really fantastically written romance novel would look like. And it is soooooo swoony.

Mkay. You know where to find me. Emily dot deprang at gmail dot com.

Night/Morning,

E

Chuck Palahniuk

Today, I read “Choke.” Like “Fight Club,” it was a one-sit read with a dinner break in the middle. It had a lot of the same themes and some new affectations, but overall it was very colorful and enjoyable and earnest. I especially liked the protagonist’s terror at emotion, vulnerability, and tenderness. It’s easier to be an asshole, he says, and it is, I guess, and that’s not an idea that gets a lot of play, that assholery is really a matter of fear and weakness rather than swaggering indifference. Anyway, j’recommend Choke.

Do not recommend “One Perfect Day: The Selling of the American Wedding,” by Rebecca Mead, a New Yorker staff writer. Maybe you read my Town & Country Weddings post so you know I read wedding magazines to gawk and mock and also to fantasize about a fancy-ass wedding that I’m not actually going to have. I do mock the ludicrously expensive shit in “aspirational” magazines, but here’s what I don’t do: I don’t make fun of real people’s dreams. You’d have to be a real bitch to interview and then extensively mock some sweet lady who loves Disney and wants to get married at Disney World. And Rebecca Mead is that bitch. I read “One Perfect Day” right back when I started this blog and wrote this enormously angry blog entry about it which I ended up not posting because I hadn’t written it well enough to do justice to the subject. But now that I have a little distance, let me sum up, still without doing justice: this is a book with no heroes. No winners. Mead systematically shits on every single person in the entire wedding industry for all kinds of often classist reasons but none moreso than the stupid, clucking, delusional, middle-class bride. Fuck you if you get excited about weddings, she says. She sneers at the idea of wearing an expensive, amazing wedding dresses and then she sneers at the fact that the dresses aren’t real silk. She keeps waggling her astonished finger at what strikes me as totally run-of-the-mill capitalism stuff, like the fact that dresses are almost all imported from China. And she quotes the (DUH) money motivated statements of marketers over and over, like it’s so shocking that the marketers are doing marketing things like thinking about money. You mean marketers TARGET BRIDES???? See them as a MARKET???? Play on their EMOTIONS???? Spin them fancy FAIRY TALES and OVERCHARGE THEM and everything comes from China where the working conditions aren’t very good? Everything Mead addresses from her bitchy, snotty, sneering pedestal is summed up in these two minutes of British comedy:

http://www.youtube.com/watch?v=gimiDBAK2wA

Watch the video, skip the book.

xo

e

Last Post, Cont’d

6. Bobos in Paradise: The New Upper Class and How They Got There -

David Brooks -

At this point, you may know David Brooks as the goofy pundit who said, in accusing Obama of elitism, said he couldn’t “go into an Applebees salad bar and look like he belonged there.” Two things wrong with that. One, why the fuck should whether you fit in at Applebees determine your fitness for presidency? And two, Applebees doesn’t have a salad bar, and this NYTer clearly doesn’t visit them himself. But. Back in 2000, when Brooks put out Bobos in Paradise, it was neat stuff. My all-time favorite prof recommended it to me and it only took me eight years to follow through. Brooks skewers the intellectual class, the bourgeois bohemians, with lots of fun, if dated, satire (Starbucks no longer being vogue with des artistes) but, more interestingly, with a history of the collision of these two classes, and the popularization of “intellectualism” and creativity. It’s very thorough and yummy, especially the parts about the organic functions of urban neighborhoods and how certain seminal bohemian works of the Fifties through Seventies came to influence corporate culture in the 2000s.
I’m making it sound boring but it’s not at all. It’s really well-written, and has some genuinely funny stuff, although most of the comedy is of the “knowing chortle” variety, like this description of “praise inflation” among modern writers: “If someone says he liked a piece, that means he saw it but didn’t read it. If he says he loved the piece, that means he started it and made it at least halfway through but can’t remember what it was about. If he calls it brilliant, that means he finished it. It is only when a reader offers the following highest form of praise that the writer knows for sure that the person is being sincere: ‘That was an absolutely outstanding piece; I’ve been saying the same thing myself for years.’”

I have to say, after shelving hardback fiction for six hours today, I agree. I’ve read so many blurbs that they have absolutely no meaning. Even the New York Times Review of Books. Just being reviewed by them at all carries so much weight that authors will trumpet a blurb as tepid as one I saw today that said, “A writer of consequence.” You have to be somebody’s mother not to hear that as damning with faint praise. “Congratulations: you are not inconsequential.” But nothing beat a blurb on a western I saw, taken from a review by the Houston Chronicle that said, “[Such and such book] offers a story rich with historical context, character development, and action.” Oh fucking good. It 1. Takes place at some point in time, with 2. Characters, and 3. Plot. Hooray, it’s a book! “This volume is rich with pages, enveloped in colorful covers, and bound with delicious glue.”

7. Opening Skinner’s Box: Great Psychological Experiments of the Twentieth Century -

Lauren Slater -

This is a really good book with a horribly boring title and a cover illustration of a walnut and a silver nutcracker, which is not a visual metaphor that relates easily to the title and is just kind of crappy design all around. Because you look at this blah package (notably rich in pages) and think, “Eh, I’ve finished this month’s Psychology Today so why not,” and then you get into the introduction and BLAMMO, this bitch can write. It’s all there–cadence, rhythm, just a little tension in the sentences, stringing you along, paragraphs kind of leaning their shoulders into it, and she’s taking risks with language left and right–God, it’s the kind of writing that absolutely irritates me because it’s so free, so self-indulgent and it’s working. Right where I would have reigned a sentence in, she goes for it. I absolutely resent writers who are having more fun than I am. There’s a verb that’s been stuck in my head all day, it’s so perfect. She describes, in like the third sentence, pulling out a baby raccoon from its nest, its eyes still shut, and “its tiny paws pedaling in the air.” Pedaling. Of course. Because that’s what the blind “where the nipple?” paw kneading looks like in the air. Pedaling. Gaaaaaaaaaaaaaaaaaaaaaaaaah. She’s a load of fun to read, a little eye-rolling at times, but fun, but I get the feeling she’s also crazy. Then I did some reading about her and I know she is. But we won’t get into that.

Instead, we’ll discuss, on the topic of crazy, this CNN report: http://www.cnn.com/2008/HEALTH/conditions/10/07/creativity.depression/index.html

As I may have mentioned earlier (I can never remember what I’ve written on this blog, as opposed to what I’ve written in my head and never got around to posting) I was a DFW fan and as such have carefully avoided reading or thinking about his recent suicide. He was bipolar; I’m bipolar. And according to CNN, we’re ruminators.

“The works of David Foster Wallace, who committed suicide September 12, are famous for their obsessively observed detail and emotional nuance.

Certain characteristics of his prose — hypersensitivity and constant rumination, or persistent contemplation — reflect a pattern of temperament that some psychology researchers say connects mental illness, especially bipolar disorder and depression, with creativity.

There have been more than 20 studies that suggest an increased rate of bipolar and depressive illnesses in highly creative people, says Kay Redfield Jamison, professor of psychiatry at Johns Hopkins University and author of the “An Unquiet Mind,” a memoir of living with bipolar disorder.

Experts say mental illness does not necessarily cause creativity, nor does creativity necessarily contribute to mental illness, but a certain ruminating personality type may contribute to both mental health issues and art.

“Unquestionably, I think a major link is to the underlying temperaments of both bipolar illness and depression, of reflectiveness and so forth,” Jamison said.”

You should go read the whole thing. It’s interesting.

More TK,

xo,

E

Okay, you know what? Screw it.

I’m going personal.

Not in my attack ads. Oh, no. In this blog. If Jesus had wanted me to keep this blog semi-professional and not confessional and embarrassing to future versions of me, He wouldn’t have made blogging so deliciously easy to do.

Fact: I read a lot.

Fact: Most of the things I read are not things that a person admits to reading.

They are not things a normal person would put on her blog that she’s reading and oh the lovely literate thoughts she’s having about them. No. I work in a used bookstore, and they let me check out whatever I want and bring it home, so I read every little goddam thing I feel like reading and I file it all under “World I Live In” and at some point. It is not all Neruda and  Euripedes.  Oh no. It’s not even all Chuck Klosterman and Bruno Maddox.

Things I’ve read recently:

1. Holy Roller: Growing Up in the Church of the Knock Down Drag Out, or How I Stopped Loving a Blue-Eyed Jesus – Diane Wilson. This, I read because I was reviewing it for the Observer. Wilson kicks ass, I had a totally woo-woo positive-universe conversation with her, which is amazing considering the book was about how growing up fundamentalist Pentecostal in coastal Texas poverty made her so crazy her brain split in half. But it got me on a God kick, which I was kind of on already and am kind of always on. So.

2. 90 Minutes in Heaven – About a man who was dead for 90 minutes and got prayed back to life. Should be called, “A Chapter and a Half About What Heaven Is Like and Sixteen Chapters About My Excruciating Recovery From the Accident That Killed Me For 90 Minutes.” The author, Don Piper, is a local preacher and the book had been flying off the shelves and customers were raving, so I took it home. It’s a two-hour read. Quick, quick. Some good, heartfelt stuff about struggling with depression and helplessness and ultimately learning to let people care for you, to love you.

3. I Kissed Dating Goodbye, and the follow-up volume, Boy Meets Girl: Say Hello to Courtship, both by Joshua Harris. These were unmitigated bullshit about how sexual desire is soul-melting sin before the words “I do” and a source of boundless, blessed passion after. Wha? It advocates waiting until marriage for your first kiss, as well as every other thing, obviously, and takes the stance that feeling desire is harmful, bad, sinful, destructive, evil, etc, which is the meanest thing I can think to tell a young person who can’t help that the jets in the whirlpool make him physically metamorphosize. I mean, Jesus Christ! Want to drive an eternal wedge between young people and their creator? Tell them the all-seeing creator condemns them for every glimpse of creamy thigh and the things it does to them, the things that are already confusing and embarrassing. This author ought to be ashamed of himself. Also advocates traditional gender roles and calls them liberating. Big shock. Dick.

4. How Good Do We Have to Be? – Harold S. Kushner – This is the same rabbi who gave us When Bad Things Happen to Good People. I just started it tonight, but it’s beautiful, made me cry in the bathtub, etc. So far, he has called religious condemnation “bad religion,” vigorously rejected the concept of Original Sin, and re-envisioned the scene in the Garden of Eden to be not one of sin and punishment but an allegory for humanity’s graduation from the simplicity of animal life to the moral complexity of human life. I love this guy. And I’m only on chapter three.

5. Town & Country Weddings – Fall/Winter 2008 – What, a girl can’t window-shop? They have this fantastic babe on the cover with this total riche beauty: gorgeous enough that you want to be her but with a smile just the tiniest bit too wide, so it looks real, and her nose is just a smidgen long, so she could be real, she, this six-foot stunning bride (groom nowhere in sight of course) in these white gloves and a $6900 Vera Wang mermaid dress (is Vera Wang not played out? I thought she jumped the shark when she started doing mattresses and that geometric print line for Khols…) She could be you, with one hand on her hip and her shoulder cocked forward to pronounce the clavicle, to deepen that little dip in the throat. On that throat, she wears a $95,000 Harry Winston platinum and diamond necklace, which is helpful to note, because you might look at the cover and go, “Ooooh, I would love to buy that dress and necklace! But I only have $100,000. So I guess I have to pick just one.” Anyway, page 34 has some $675 Louboutin slingbacks I would acquiesce to (they look like delicate crepe-satin champagne cages for my naughty, naughty feet!) but page 122 features my long-nose model again in a strapless Carolina Herrera that fucking seriously looks like fish scales made of doilies. And costs $29,900. Because $30,000 is just unreasonable.

That’s all for tonight. Let’s resume tomorrow. This is fun.

xo

E

Pitch Black

Well, we’ve put the non-perishable food out where we can get it, put out candles and lighters, and cooled the house and run the laundry, so we’re ready as we can be.  The wind is howling. Galveston is FUBAR, or if it’s not, it will be. Phones are charged and we’ve each checked in with our loved ones. I saw this as a good time to read, and maybe it will be in the morning, but I don’t think I’ll be reading tonight. Lights are flickering. Hang tight.

E

Friday Night Lights

It’s here. Jeffrey and I just lost power for a minute, making me think, “I should find the matches before this happens permanently.” We took a little cruise around the neighborhood a few hours ago, looking for somewhere to have lunch before holing up in here for what will probably be about 48 hours. The whole ‘hood was boarded up. The only place still open was the IHOP, which had just stopped seating people when we showed up. We meandered back home through almost-empty streets bordered by totally empty expanses of parking lot when we saw a collection of cars around our favorite pizza-and-beer joint. All but the doors was covered in sheet metal and they called last call for food right after we got seated, but the place was packed with happy non-evacuators. It’s kind of a sports bar, so a few of the eight tvs were turned to the news and we watched muted reporters get their panchos whipped around as they stood with their backs to the waves in Galveston crashing over barrier after barrier. The place was closing so we took our pizza home and I fell asleep. I woke with a start when I thought a door had been thrown open or the bottom dropped out of something. The air in the room had changed. Jeffrey is reading a comic book on the couch and the cats are monitoring the situation from the porch. There is an open door, and the air has changed–it’s tearing up the trees downstairs and the rain hasn’t even started. I wish I weren’t fretting my ass off about finishing a story, because I would like not to be afraid of losing power, of the dark or howls of wind. We’ve resolved to sit out what will probably be 24 hours of seriously shitty weather followed by an indeterminate period of cleanup, and I don’t want anything to need to get done. But it does; I’ve totally buggered a story for an editor I really like and I need to make it right. Hopefully I can do it before the lights are gone for good.

E